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    Aloe Be Thy Name – Opening at Law and Water Gallery

    Aloe Be Thy Name – Opening at Law and Water Gallery 

     

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    Sarkin featured at the deCordova

    Lalla Essaydi, Les Femmes du Maroc #45, from the PRC Portfolio, 2008.
    On View May 16, 2014 – Oct 13, 2014

    Artists whose works will be in the exhibition include Thomas Barlow, Bruce Barry, Alan D’Arcangelo, Robert Cottingham, James Dow, Lalla Essaydi, Walton Ford, Lee Friedlander, Al Hansen, Charles “Teenie” Harris, Sister Corita Kent, Emmett McDermott, Larimer Richards, John Sarkin, Aaron Siskind, Joseph Wardwell, and Andrew Witkin.

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    Cape Ann TV’s Portrait Series Features Jon Sarkin

    Check out this recent video of Jon Sarkin on Cape Ann TV. 

     

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    Jon Sarkin at Law and Water

    Check out Jon Sarkin’s work at Law and Water Gallery. 

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    Jon Sarkin in Psychology Today

    Check out the original article on Psychology Today 

    Psychology Today: Here to Help

    Can creative ability suddenly develop following brain damage?
    Published on April 29, 2013 by Romeo Vitelli, Ph.D. in Media Spotlight

     

    Creativity and the Healing Brain

    For Jon Sarkin, it began in 1988 when he suddenly began experiencing tinnitus and abnormally sensitive hearing to certain sounds.   A successful chiropractor with a practice in South Hamilton, Massachusetts, Jon’s condition was linked a blood vessel pressing on his acoustic nerve.  Because of his worsening symptoms, he agreed to a delicate operation carried out by a Pittsburgh neurosurgeon in 1989.  During the operation however, he began hemorrhaging and experienced a massive stroke that left him comatose for weeks.   Doctors removed much of the left side of his brain and he had damage to his cerebellum as well.  Despite a long rehabilitation, he was left permanently deaf in one ear with slurred speech, double vision, and an impaired sense of balance that forced him to walk with a cane.

    Though he eventually returned to his practice in 1990, Sarkin found dealing with clients emotionally and physically exhausting despite frequent rest breaks.   He also spent more time “doodling” on his letterhead paper and eventually sold several doodles to the New Yorker.  After selling his practice in 1993, he decided to devote his time to drawing and caring for his three children while his wife acted as his interface with the outside world.  While his neurological symptoms never improved and despite bouts of depression, Jon Sarkin has established a reputation as an artist with his first New York art show in 2003 and a life story that has since been optioned by Tom Cruise’s movie production company.

    Can artistic ability suddenly develop as a result of brain disease?   Cases of “sudden artistic output” following brain injury are relatively rare but unexpected artistic talent emerging in brain patients  has been well-documented.   While savant syndrome found in people suffering from severe learning disorders such as autism has become well-recognized through movies such as Rain Man,  acquired savant syndrome, when a new talent suddenly develops in adults following illness is still poorly understood.

    Along with brain injury and stroke, cases of acquired savant syndrome have been identified following frontotemporal dementiatemporal lobe disease, and most recently, Parkinson’s Disease.   In a new review article published in Behavioral NeuroscienceRivka Inzelberg of Tel Aviv University describes a number of  cases of Parkinson’s patients suddenly developing new literary or artistic skills.

    Although it is unclear whether this can be related to the actual disease or the dopamine treatment the patients received,  these cases are even more remarkable considering the severe motor problems many of them experience due to Parkinson symptoms.   While some cases involved patients who had artistic ability prior to their illness, onset of Parkinson’s Disease led to a radical change in the quality of the art they produced despite hand tremors or other problems.

    According to one patient described by Susan Pinker who had been a regular painter before being diagnosed with Parkinson’s Disease, her paintings were enhanced by her illness and even felt that her dopamine medication may have played a role in improving her artistic output.  “The new style is less precise but more vibrant.” she said, adding that “I have a need to express myself more.”

    In Parkinson’s patients at least, the fundamental question is whether the new creativity is linked to the disease or dopamine medications such as L-Dopa.   Too much dopamine can lead to Dopamine Dysregulation Syndrome (DDS) with symptoms such as reduced inhibition, sexual acting out, and obsessive compulsive behaviours.  That can include compulsive writing, drawing, or other creative outlets.  In many patients, these creative skills tend to rise as the dopamine levels in their brains increase and can then become reduced as their medications are cut back to curb other unwelcome symptoms.   A recent study examining the link between Parkinson’s disease and creativity suggests that this creativity is completely separate from the impulsive behaviour seen in DDS patients and not a sign of illness as some clinical researchers suggested.   This is welcome news to newly-creative Parkinson’s patients who expressed fear that cutting back on medication might eliminate their creativity.

    In exploring possible reasons for increased creativity in Parkinson’s patients, Rivka Inzelberg raised several suggestions that may well apply to other cases of acquired savant syndrome in brain-injured patients as well.   Inzelberg suggests that disinhibition may hold the key to understanding this increased creativity.  Not quite the same thing as impulsivity, disinhibition involves the rejection of social norms and acting out in ways that are “riskier” than they normally would.  Often seen in manic patients, people who are less inhibited are more likely to overcome any doubts they might have about their artistic ability.  They simply write or paint for their own pleasure rather than worrying about what other people might think of their work.  Even in patients with no previous artistic ability, the wish to do something novel can lead to them experimenting with new ways of expressing themselves, often when many of their previous activities are blocked by their symptoms.

    Creativity is also a useful way of coping with anxiety since it provides a patient with an outlet to accomplish something worthwhile and to gain confidence.   Many patients with temporal and frontal lobe disorders can find themselves producing new writing or artwork even when it has little importance to anyone but themselves.  One example of this is thehypergraphia found in some temporal lobe patients  involving an overwhelming urge to write.  While some noteworthy cases such as Vincent Van Gogh and Fyodor Dostoevsky are well-known, most hypergraphia sufferers produce millions of words which may never have any literary value.

    While patients can be encouraged to engage in painting, drawing, writing or other creative activity as part of occupational therapy, this activity needs to be carefully monitored to make sure that these new skills improve the quality of their lives and not be taken to extremes.

    Understanding how this new creative drive affects the healing brain can teach us much about the nature of creativity, whether in brain patients or in neurologically healthy individuals.   These insights may well help researcherrs learn how changes in the brain can lead to enhanced creativity, whether it takes the form of artistic, literary, or musical ability.   Understanding how new talents develop may help us explore some of the many mysteries associated with why creativity happens.

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    Sarkin’s work for sale on Esty.

    Sarkin’s work for sale on Esty.Get it quick!

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    Interview with Amy Ellis Nutt- “Shadows Bright as Glass”

    Interview with Amy Ellis Nutt

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    Jon Sarkin at Law and Water Gallery August 17th.

    August 17th at Law and Water Gallery with Jon Sarkin and othersScreen Shot 2013-08-09 at 1.22.38 PM

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    Explanation

    Explanation Video

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    Jon Sarkin at Art FInder

    • Check out full article at Art Finder.

       

      Outsider Art, or Art Brut as it was called by Jean Dubuffet who coined the term in the 1940s, was primarily used to categorize art that is outside of the traditional art school, or art world arena. Dubuffet focussed his definition around the art of mentally ill patients and children, however the term has been expanded to include the art of those artists who have not received formal training. As outsider artist Jon Sarkin sees it, this is art made by someone who is free from the forced opinions of art school. Outsider Art is swiftly gaining a huge following, and critics such as Jerry Saltz are calling upon museums to integrate Outsider Art into their collections. Although it is created outside of the conventional art culture, it possesses a unique style, charm and originality, as is seen in the art of Jon Sarkin. We spoke to the artist earlier in the year when he visited us in London.

    • Jon Sarkin philosophises on life, art and fun. “You have to have fun,” he emphasizes with his relaxed American drawl. Restricting himself to working in his studio on a daily 9 – 5 schedule, Sarkin is anything but restrained. He declares that time, space, and reality fall away while he is working. His art flows out of him in a stream of consciousness, uncontrollable, and apparently unstoppable; death is the only thing that can impede him. Attempts to control his art make it unnatural and wrong. Brilliant and witty, his mind works at an incredible wavelength and level, and he acknowledges this, embracing it in his art.

      Sarkin is what is called an acquired savant – his exceptional artistic ability was unleashed when he suffered a stroke at the age of 35. In order to save his life, doctors cut out part of his brain, and in doing so, gave Sarkin a new personality, with new interests, passions and abilities. Deeply aware of the difference between his two selves, Sarkin grieves for what he has lost. When asked if he prefers his present life, the former chiropractor’s answer is no. But despite his frequent nightmares, his approach is practical: “what are you going to do”, he asks.

    • When asked about his inspirations, Sarkin advises actively looking for inspiration. He is constantly inspired; to him a watch catching the light against an-otherwise dark outfit is fascinating. Sarkin is a proponent of rediscovery – he enjoys reviving objects, words, and sights. The repetition and inclusion of words is particularly important in his art, and the constant replication of words brings out new meanings for him. Repeating the word “again” slowly, jarringly, quickly, breaking it into two words, or even into three, and similarly connecting “orang-u-tan” to “aren’t we purple.” Each of the pronunciations and variations fascinates Sarkin, and provides new material for him to work with. Transferring words into images and vice versa, Sarkin’s art is full of energy; he pushes his viewers to look at their worlds through fresh, untainted eyes to rediscover what they think they already know.

      Despite his lack of Fine Art training, Sarkin is well aware of the work and influences of other artists. Considering the similarity in the raw passion and imagery of their pieces, Basquiat is fittingly one of his preferred choices with whom to party; Caravaggio and Da Vinci are the other two, although Damien Hirst is a strong contender. Sarkin realizes that a successful painting is defined by a number of changing boundaries; there is no particular formula for a great painting, although critics have certainly tried to define it, “you can write an infinite number of words and never get down to, but you know when you see it.”

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